Online Teachers Application System (Oteas) : OTEAS Tamisemi
Timbaland, byname of Timothy Z. Mosley, (born March 10, 1971, Norfolk, Virginia, U.S.), influential American producer and hip-hop and rhythm-and-blues performer who contributed to the chart-scaling success of a host of recording artists in the early 21st century.
Mosley grew up in Virginia with rappers Missy (“Misdemeanor”) Elliot and Magoo. At age 19, he began to learn how to use studio equipment under the direction of producer and musician DeVante Swing, whose mispronunciation of the shoe manufacturer Timberland resulted in a new name for his protégé. Timbaland’s inventive production skills were first evidenced on Aaliyah’s 1996 hit “One in a Million.” Soon afterward Timbaland signed with Blackground Records as both a solo act and part of the rap duo Timbaland and Magoo. In 1997 the two put out their first album, Welcome to Our World; featuring the contributions of Elliot and Aaliyah, along with the hit song “Up Jumps da Boogie,” it achieved platinum sales status.
By the late 1990s Timbaland had developed a signature sound that made him a much sought-after and often-imitated hip-hop and rhythm-and-blues producer. He used original beats—rather than samples—to create complex syncopated rhythms and complemented them with quiet background rapping or obscure sounds, such as a whinnying horse. With an uncanny knack for crafting commercially successful singles and albums, Timbaland produced hits for Jay-Z, Ginuwine, Elliot, Ludacris, and Snoop Dogg. In the early 2000s Timbaland moved beyond the genres of hip-hop and rhythm and blues to produce albums for rock and pop stars, including Nelly Furtado, Justin Timberlake, Beck, Bjork, and Madonna. In addition to his notable work as a producer, Timbaland continued to release albums, both as a solo artist and in conjunction with Magoo. He created new record labels under the umbrella of Interscope—Beat Club and Mosley Music Group—and received three Grammy Awards for his work with Timberlake, on “SexyBack” (2006), “LoveStoned/I Think She Knows” (2007), and “Pusher Love Girl” (2013). He also earned a Grammy for his contributions to Beyoncé’s “Drunk in Love” (2013).
N.W.A, in full Niggaz With Attitudes, American hip-hop group from Compton, California, whose popular, controversial music included explicit references to gang life, drugs, sex, and distaste for authority, especially the police. Its five core members were Eazy-E (byname of Eric Wright; b. September 7, 1964, Compton, California, U.S.—d. March 26, 1995, Los Angeles), Dr. Dre (byname of Andre Young; b. February 18, 1965, Compton, California), Ice Cube (byname of O’Shea Jackson; b. June 15, 1969, Los Angeles, California), MC Ren (byname of Lorenzo Patterson; b. June 14, 1969, Compton, California), and DJ Yella (byname of Antoine Carraby; b. December 11, 1961, Compton, California). Later members included Arabian Prince (byname of Kim Nazel; b. June 17, 1965, Inglewood, California) and The D.O.C. (byname of Tracy Curry; b. June 10, 1968, Dallas, Texas). The group is widely credited with popularizing the gangsta rap genre of hip-hop music and increasing the prominence of the West Coast hip-hop scene.
N.W.A was formed in 1987 by
Eazy-E, a high-school dropout and drug dealer living in Compton. Using drug
money, Eazy-E began a record label, Ruthless Records,
alongside longtime industry man Jerry Heller.
Eazy-E then recruited Dr. Dre—who was a member of the group World Class
Wreckin’ Cru—and Ice Cube—a member of the rap group C.I.A. (Cru’ in Action!)—to
write for the label. At Dr. Dre’s suggestion, Eazy-E agreed to sign the New York group
H.B.O. to Ruthless, but when the group turned down Ice Cube and Dr. Dre’s song
“The Boyz-n-the-Hood,” Eazy-E, with some coaching from his new partners,
recorded the song himself. The result—Eazy-E’s first single—was a hit.
The group’s first single, “Panic Zone,” featuring the three founders of
N.W.A and new member Arabian Prince, was released on August 13,
1987. It was also featured on the collaborative album N.W.A.
and the Posse, released November 6, 1987. Eazy-E’s
“Boyz-in-the-Hood” (restyled since its initial release) made the album as well,
alongside “8 Ball” and “Dope Man,” which were both remixed later on Straight
Outta Compton.
After
the release of N.W.A. and the Posse, Ice Cube left the
group for a year to study drafting at the Phoenix Institute of Technology. When
he returned in 1988, the group recorded and completed Eazy-E’s solo album, Eazy-Duz-It (Dr. Dre and DJ Yella did most of the producing, while
MC Ren and Ice Cube wrote most of the lyrics), as well as their magnum opus, Straight Outta Compton, which included
the group’s sixth and seventh members, Arabian Prince and The D.O.C.
Released
under Priority Records and Ruthless Records on August 8, 1988, Straight Outta Compton details the
lives of its creators via a blend of drum-heavy production, samples, turntable scratches, and aggressive, often profane lyrics. This
“reality rap,” as Ice Cube once called it, offers uncensored thoughts on women,
drug dealing, gang activity, and police brutality—topics that had
not yet been explored so candidly for such a wide audience in any genre of
music. Such candor had a price, however; songs like “Fuck tha Police” (originally titled “_ _ _ _ tha Police
(Fill in the Blanks)”) and “Gangsta Gangsta” were criticized for depicting
violence and other unlawful behavior, especially, in the former, toward police.
“Gangsta Gangsta” also features homophobic slurs, and “I Ain’t Tha 1”—and, indeed, most N.W.A
songs—pushes unsubtle sexist narratives. The artists who formed the group,
especially Ice Cube, Dr. Dre, and Eazy-E, continued to make controversial music
later in their solo careers.
However, nothing compared with the
controversy that surrounded “Fuck tha Police.” The song parodies a criminal trial,
wherein Ice Cube, MC Ren, and Eazy-E testify against the police department to a judge (Dr.
Dre). The lyrics—and, indeed, the prosecutors—strongly
criticize the police department for stereotyping,
falsely arresting, and even brutalizing minorities. In their verses, Ice Cube,
MC Ren, and Eazy-E also make threats toward police officers; these lyrics were
the subject of the most controversy, though their alarming content was
effective in creating conversation about racism and
militarization in the police force. The song became increasingly relevant a few
years later in the wake of the Rodney King beating,
and it continued to be used as a protest song well into the 21st century.
Shortly after the album’s release, the FBI sent a warning letter to Priority
Records and N.W.A regarding “Fuck tha Police,” which the bureau considered
inflammatory. Though few radio stations aired the song, it gained a good deal
of attention; in fact, it is likely that the FBI letter boosted album sales,
which hit 750,000 before the group went on tour in 1989. The album, which also
includes the hit “Express Yourself,” eventually reached triple platinum status
and is widely considered one of the most influential hip-hop albums of all
time.
In December 1989, just over a year after the release of Straight
Outta Compton, Ice Cube left the group over a royalty dispute.
After writing many of the album’s lyrics and performing on several of its
songs, Ice Cube felt that he was not paid appropriately for his contributions.
His relationship with Heller, the group’s manager, quickly worsened over the
dispute, and Ice Cube left to pursue a solo career, where he would, on several
occasions, insult Heller and the remaining members of N.W.A in his lyrics. The
dispute was settled out of court in 1990.
N.W.A, now with five members (Eazy-E, Dr. Dre, DJ Yella, MC Ren, and The
D.O.C.), released their extended-play record (EP) 100 Miles and Runnin’ on
August 14, 1990. The EP features a number of references to Ice Cube, including
the tag “Benedict Arnold” on the song “Real Niggaz,”
which occurs again on the group’s second and final studio album, Efil4zaggin (also
known as Niggaz4Life).
Released on May 28, 1991, under Ruthless Records and Priority Records, the
album did not approach the success of Straight Outta Compton. It
did, however, hit number one on the Billboard 200 chart in
its second week, and its production, done mostly by Dr. Dre, is considered a
watershed development in the history of the hip-hop sound. It also furthered
the rivalry between Ice Cube and the remaining members of N.W.A; months later,
Ice Cube released his second solo album, Death Certificate, which
included the memorable N.W.A diss track “No Vaseline.”
Dr. Dre had become dissatisfied with his deal at Ruthless Records by the
time of Efil4zaggin’s
release. In early 1992, he and The D.O.C. left N.W.A and Ruthless Records for
Death Row Records, effectively ending N.W.A. The remaining members (Eazy-E, MC
Ren, and DJ Yella) pursued solo careers, sometimes rejoining to collaborate on
new music. (Assisted by DJ Yella, Eazy-E saw the greatest success of the
three.) Meanwhile, Dr. Dre and Ice Cube were having luck in their solo careers,
and soon Dr. Dre and Eazy-E began their own rivalry that would continue until
Eazy-E’s AIDS-related death on March 26, 1995.
Dr. Dre and Ice Cube continued making music well into the 21st century,
establishing their own legacies as seminal figures
in hip-hop, but N.W.A retains a legacy as
a vehicle for urban commentary and as a transfigurative force in hip-hop
history. In 2015 a biopic about the group, Straight Outta Compton, was
released in theaters to warm commercial and critical reception. The following
year, N.W.A was inducted into the Rock and Roll Hall of Fame.
By
Encyclopedia Britannica